I have got lots to write about but *stuff* happens and as a result I’ve written not very much! And meanwhile it gets ever bigger. So instead of this mass of unblogged stuff clogging my head, I thought it was about time I put fingers to the keyboard & tap tap tapped.
I have so many sewn things to share, a couple of “how tos”, I have a giveaway to announce, and I’ve even met one of my sewing inspirations…. And I have some runs that deserve a mention. Don’t worry- there is no way I can cover all of this in one, or even two goes, but where to start?
See later for who these belong to…
I should start with the giveaway, how about that? Thank you to everyone who entered & shared some inspiring ideas for using contrast fabrics- you are all winners (sigh). The winner of the Champagne skirt pattern is no. 2 as picked by random number generator ….and that is Lou Sewcial Warrior – congratulations – I will be contacting you and forwarding your email address to Capital Chic Patterns! Now there were some awesome ideas for using contrasting fabric, Lou’s by the way will be using pleather.
“ I’ve been planning myself a colette meringue with pleather facings on the outside with an orange and blue plaid wool for the skirt. But I think this combo could work just as well for the champagne skirt, which is gorgeous by the way.”
Can’t wait. There were so many racy ideas using animal print (grrr), solid colour blocking, sweet ideas for tartan and even florals. Go check them out for some inspiration! I was also taken with Cat’s suggestion:
“What if it would be a play on transparency? Like a white or cream eyelet with a turquoise lining, but only the body of the skirt is lined. “
which also got me thinking about transparency for a lace skirt with the flounce not lined…
Lovely! Think you’ll be giving some use of contrasts a go? Do tell!
And which sewing legend did I meet? Well none other than Maria Denmark!
I have been online friends with Maria for a number of years now but had always missed her visits to London. But this time I took the afternoon off & whizzed across by train to meet Maria and her Danish business partner (& lovely family) at the V&A. They had already managed a visit to Portobello Market and bought lots of vintage sewing nick nacks.
Once in the V&A I am afraid I didn’t pay that much attention to the exhibits as I was far too engrossed in chat! It was so brilliant to meet in real life – we talked sewing and stuff barely drawing breath. Maria is such an interesting and dynamic personality & as well as her current projects and her sewing/ design background I was also inspired to hear more about her running her own business(es), her online Danish sewing magazine she creates and produces with her business partner Signe (who was also in London with us and who the MD halter dress and top is named after). It was also fascinating hearing more about Denmark. You know, I am so going to visit one day 🙂
We cruised the exhibits, some distracting us enough to discuss the sewing & design! Like these knitted swimsuits which I am sure everyone has the same saggy thoughts about 🙂
Can you see Maria in the mirror? Trying to be arty, but not sure it succeeded as well as it played out in my head!
Afterwards we managed my first trip to Shaukat & I was blown away. I was grateful that the baby needed us to be focused (bedtime called & she had been so content). It could have been serious dither city – I have not seen so much Liberty print in such an expanse of fabric heaven! Lawn, poplins, cord, silks & jerseys. Bolt upon bolt plus shelves of pre-cut pieces. I did not know where to start so just honed in on the jersey.
I had the most amazing time Maria and Signe and baby Saga & Karen. Interesting fact- Signe’s baby is called Saga (as in the incredible female character from “The Bridge”, pronounced like the computer games Sega) But no, she wasn’t named after her, but after the Nordic God of sewing. Talk about a perfect start as a sewster!
Wanna see my loot?
I had to buy just one piece, didn’t I? As a double celebration. And it was this jersey. It is quite possibly going to be the most expensive dress I have ever made. But people, I do need to think more about quality rather than always quantity! There will be a “test” garment before I decide which pattern to make it up into (I have two possibilities, one being the Colette Monetta). Any thoughts yourselves?
Right, that’s it for today, stay tuned for my next catch up. Cheerio for now!